![]() Richard Buskin 9 Newcastle Road, Liverpool 15, John’s first home before he went to live with his Aunt Mimi and Uncle George. ![]() The home life was not for him, and in spite of the occasional visit and the odd postcard, there was little sign of the elder Lennon over the next few years as he sailed his way around Canada, France, Italy and North Africa. By the time John was born some twelve years later, Freddie was serving as headwaiter on a ship bound for New York. It was at around this time that he met Julia Stanley.Ī year later he quit the office for the sea, finding employment first as a bellboy and then as a waiter, but his lack of ambition meant that he would progress no further. The authorities soon put an end to his big-time ambitions, however, and by the age of 15 he was well educated and working as an office boy. Retirement brought him to Liverpool, and after Jack's death in 1921 nine-year-old Freddie tried to continue the showbiz tradition when he ran away from his orphanage to join a children's troupe. Both in their mid-twenties, they were at first very happy together, but neither of them was ready, emotionally or financially, to bring up a child.įreddie's father, Jack, had been born in Dublin and toured the United States as a Kentucky minstrel during the 1890s. Julia was a movie usherette before she married ship's steward Alfred (Freddie) Lennon on a whim on December 3, 1938. She was more sinned against than sinning." ![]() Everything was funny, but she couldn't see into people until it was too late. "She never took life or anything seriously. "She was witty and full of fun," Mimi told Beatles chronicler Hunter Davies. Her behavior was sometimes irresponsible and often eccentric, and in sharp contrast to the reserved manners and sober attitude of Mimi. Julia Lennon (born Stanley) was a carefree, fun-loving woman. In any case, she need have looked no further than the little boy's mother to determine the broad shape of his personality. Carefully study the string pairs/trios shown in the tablature and pick them using the indicated pick strokes to best bring out the melody.Mimi's effort to see her new nephew was rewarded for, as she asserted many years later, "I knew the moment I first set eyes on John that he was going to be something special." Mimi's reaction displayed either great premonition or, more likely, natural favoritism. This riff - performed in 6/8 and played with a capo at the second fret on the original - is nestled within an open D chord shape, with the fret-hand’s pinkie and index fingers employed to interject melody notes. While George Harrison’s Here Comes the Sun is viewed as the pinnacle of standalone acoustic Beatles pick-style tunes, Lennon’s Norwegian Wood (from Rubber Soul), which FIGURE 4 approximates, certainly isn’t far behind. Happiness Is a Warm Gun (from The Beatles), hinted at in FIGURE 3, also uses this fingerpicking approach - with Em, Em(add2), Am13 and Am7 voicings - as does Dear Prudence. This creates the sound of temporary inversions (chords with a third or fifth in the bass). ![]() As a result, instead of hitting the roots of the G and Em chords first, he sounds a different chord tone the moment the chord change occurs. Interestingly, although two of these chords, G and Em, have sixth-string roots, Lennon employs his fifth-string-root pattern throughout Julia. Written as an homage to Lennon’s mother, this track features C, G, Am7 and Em chords, each with a high G common tone fretted with the pinkie on the high E string’s third fret.
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